Monday, 15 January 2018
‘#Me Too’: a Full Frontal Attack on the Arts?
‘#Me Too’ has become a full frontal attack on the arts. It’s a shame, because the original aim of the movement was to combat sexism, everywhere. This was a noble idea. But '#Me Too," unfortunately, has moved on.
Consider this. I go online or pick up my newspaper, and the latest salacious headline centres on a choreographer, symphony conductor, gay photographer, or -- mostly likely -- James Franco. Regrettably, such arts-related news leads to random editorial musings, which begin with thoughts like: "Fascinatingly, Albert Schultz was considered a ‘pioneer in theatrical exploration’ who ‘pushed boundaries.’" Soon the pundits move on. They just can’t help wondering -- "Was Louis C.K.’s shocking comic material --- which often dealt frankly with sexual subjects -- in any way related to his backstage sexual perversions?"
It’s time to ask ask a much more important question. Where are the business and corporate leaders who are sexual molesters? Are we to believe that no women at Google, Exon, Dupont, Apple,Tim Hortons or Canadian Tire have ever been molested by their bosses? Apparently. And yet we know this isn't true. The question is, why are people champing at the bit to punish potential sex criminals in the arts, while at the same time leaving corporate and business leaders unscathed?
If this continues it can only lead us to the depressing conclusion that ‘#Me Too’ is not an actual political movement destined to transform the sexual dynamics between men and women forever but just the latest google trend. I say this because unfortunately '#Me Too' (like every other movement in western culture) seems quite helpless when confronted with corporate capitalism.
On the contrary, instead of criticizing the arts, it is time to praise artists for their courage. Perhaps the reason so many arts organizations are confronting sexism is because the arts have always been at the forefront of this issue. And artistic environment environments -- unlike corporate entities -- are not generally confined to money-making enterprises, but instead quite often are politically aware institutions that seek to forge cultural change.
I do not in any way wish to minimalize the significance of any attack on any woman, anywhere.
In fact that’s why I am raising this issue. Like Catherine Duneuve and other prominent French feminists, I must wonder if #‘Me Too’ has morphed from a feminist movement into an attack on artistic freedom.
And until the day a significant proportion of the overall constiuency of rapists, molesters and harassers don't just happen be charismatic, googlable and tweetable stars of stage and screen, I fear for women.